Category: Writing as a Team

Two people writing as a team can have advantages over soloist authors. But to have a fruitful writing partnership we must adopt a process that utilizes our strengths, and we need a relationship that’s strong enough to support the endeavor. Here’s where we explore the matter from various angles.

Toodles 2021

Pull up a comfy chair, dear reader, and together we’ll review what we blogged about over this past twelve-month. Are you comfortable? Would you care for an adult beverage before we begin?

We started the year by pontificating about Point of View. It shouldn’t surprise you to learn that we have strong opinions on the matter.

We closed out edits on our Science Novels as we closed out January, and our Ghost universe took over all of our work sessions. It involved a lot of brainstorming and plot-rainbowing. And we started watching Supernatural — an activity we’re still engaged in (there are a lot of episodes!).

And speaking of televisual entertainment, in March we offered up an incomplete list of our quarantine viewing material. And even now, 9 months later, we still haven’t braved a movie theatre. We enjoyed Only Murders in the Building, recently finished up the newest seasons of What We Do in the Shadows and the Great British Baking Show, and are almost done with Schmigadoon!, DreamCorp LLC, and Party Down. We recently watched Raiders of the Lost Ark for the umpteenth time (inspired by watching Raiders! The Story of the Greatest Fan Film Ever Made), and our most recent DVD was Harold and Maude (technically a rewatch, but it had been so long that Kent didn’t remember seeing it).

The dogs made a cameo appearance in April, then we went on to wax rhapsodic about our plot rainbow again some more. We were very proud of the concept we had for the ending, which has since gone through several further iterations. It’ll be interesting to see how much it further it morphs by the time we write it.

The joys and tribulations of plotting an entire 4-book series at once occupied much of May. And then our kids came for a visit!

The halfway point of all that outlining came in June, and that’s also when we started talking about redecorating the Writing Cave. We’re happy to say that the outlining is now complete. The Writing Cave reno, not so much. The big stuff is all done and the room is totally usable, but the finishing details are stalled.

In July we were a little hung up on how complicated our plotting process is, so we added a new member to our SkelleyCo writing team: our beloved white board!

When August rolled around we got started on Book 4 (the final Ghost Book for those of you keeping track at home). It’s kind of enormous, and we had to chop all of our paper squares in half so all the characters would fit on one side. We fretted that the 400 magnets we bought might not be enough. Fear not – we had a whopping 13 or 14 magnets leftover at the end.

September was light on blogging because we were shoulder-deep in the Writing Cave renovation, but we did manage to debate whether or not it was possible for a character to be too villainous. Conclusion: yes.

The end of plot-rainbowing was in sight in October, and we continued our passionate love affair with our white board. That thing is truly worth its weight in gold. And in addition to that we found time to update our Stichomancy Writing Prompt Generator.

In November we finally finally completed all the plotting for the whole entire Ghost Series.  But that doesn’t mean we’re ready to start writing just yet. When we aren’t hosting visitors or helping our children move, Kent is working on maps and Jen is typing up the world’s longest, strangest outline (the old-school kind with Roman Numeral and regular numbers,  and letters both capital and lowercase). The actual writing should commence soonish. Maybe in December, maybe in January.

And finally, in December we said a tearful goodbye to a beloved member of our critique group. It can’t be said frequently or forcefully enough: Fuck Cancer.

Exposition Shouldn’t Be An Imposition

There’s a book that Jen read a while back, which now Kent is finally getting around to, which means we can finally talk about it. It’s… not perfect. It’s not awful, but there are many things about it that could be a lot better.

For instance, the way information about the story’s world gets delivered. The narrative just stops and waits while we’re treated to whatever facts and figures have taken on sudden importance. The interruptions are generally pretty small, but they still break up the flow of the story. It’s like the author had been warned against the dreaded info-dump, and thought the answer was to use smaller helpings.

So instead of one big dump, we get dozens of little info-turds.

Conveying information without pausing the action is tricky. Note, “action” here doesn’t need to mean a fight scene. It’s whatever is actually happening for the character(s) at a given moment. Keep the reader in that moment by keeping the characters in it. And don’t let your characters get away with just knowing stuff when they should be showing it.

To contrive an illustration: Sgt. Smiddlers gets nervous around balloons. It’s because he grew up in a faerie realm where balloons are carnivorous, and in fact was almost killed by one once. Write the scene where the balloon monster almost got him. Write it, and figure out where it goes. Show us this experience. And then, when Det. Doodles innocently walks by with a balloon, we’ll be able to empathize with the sergeant’s anxiety without needing an extra explanation.

World-building is not a matter of relaying enough facts. It’s about helping readers feel what it’s like to be a denizen of that world. Hopefully, what it’s like isn’t a herky-jerky sequence of by-the-way-here-is-a-thing-you-should-know.

A writing partner is someone with a good nose, who won’t let you get away with dumping info all over the place (even if it’s spread around in little pieces).

In Search of a Different Kind of Inspiration

Ideas are not something we struggle with, usually. That’s one of the advantages to being a writing team. Between the two of us we’re almost always able to come up with fun complications for our plots, and, after letting our characters struggle with them for a bit, fun solutions to those complications. It’s pretty awesome.

We’ve encountered a snag, though, in something tangentially related to the writing: redecorating the Writing Cave. Jen says it’s time. The Writing Cave is the first room we did anything to after buying our house. Back then we just called it the office. Writing wasn’t something we were as dedicated to, and we just needed a good place to set up our computer desks where the kids couldn’t casually smear peanut butter all over the keyboards. They do that less often now, what with one of them being in grad school and the other the proud owner of a shiny new PhD.

When we bought the place, the office was carpeted in plush, vibrant blue — a wall-to-wall Cookie Monster pelt. The rest of the house had hardwood, and we knew there was hardwood under all that Muppet fur, but we worried about what shape it might be in. It must be pretty bad for the previous owners to have kept it covered, right?

Wrong. When we pulled it up we discovered that the underpadding was pieced together from a million little scraps, all stapled into place. But other than that the floor was fine.

We stripped off the mattress-ticking wallpaper and put up a nice rich blue, speckled with whimsical stars and moons. It looks a lot less Lucky Charms than that sounds, but it is perhaps a little too whimsical and there are a few spots where we tore it a little moving furniture. When we had new windows installed, the paint we got to do touch-up doesn’t quite match the original.

The ceiling fixture doesn’t give as much light as we need, and is constructed in such a way that it’s hard to find bulbs that fit inside it with the cover on.

So — we’re all agreed, then. It’s time to redo this room. (Well, we’re not *all* agreed. Kent is indifferent. But he’s willing to follow Jen’s lead.) We know we want to make a change, we just don’t know what we want to change it to. It’s a strange place for us to be. We’ve done a lot of home improvement, and we usually have no shortage of ideas there either. But this time we (read: Jen) are kind of floundering. We’re most likely going to get new desks that can convert to standing desks with the touch of a button. Other than that we’re happy with the furniture. That’s good for our budget, but doesn’t leave a lot of room for creativity.

All we know for sure is that we don’t want the walls to be white. And we want a new light fixture and window covering. What those will look like, we have no idea. Oh – and we’re going to clear out the closet and install some sort of organization system, once we sort through all the junk and see what we actually want to keep.

If we get it figured out while we’re still outlining the Ghost Books, we can talk through plot points while we paint. Otherwise we’ll have to divide our time between writing and acting out our HGTV dreams.

The best writing partner is the one who supports you, even when it means applying liberal helpings of elbow grease.

Here’s the Plan (2021 Edition)

Ah, the smell of a fresh new year. So crisp, so clean, so innocent!

Over the course of several recent dog-walking excursions, Kent and Jen developed their master plan for 2021. The first item on the agenda is finishing the edits on Grandson of Science Novel. We had originally hoped to wrap it up in 2020, but that didn’t quite happen, so we’ll take a couple of weeks now and knock it out.

As the dust settles from that, we’ll decamp to the Auxiliary Writing Cave and dig in on plotting our new Ghost Series. We have a bazillion notes — some in longhand, some electronic. Once those have been wrangled into order, we’ll start at the beginning and flesh the whole thing out. This will likely take quite some time, since it’s looking like it’s going to be a 4-book series (quadrilogy? tetralogy?). Somehow, this is the first time we’ve planned an entire series at once and we want to make sure we do it right. The Auxiliary Writing Cave has comfy furniture and a fireplace (and a hidden bookcase), and is the perfect place to enjoy a hot beverage, with or without alcohol, so we’re quite excited about it.

After the plotting we have a split in the flowchart. If we’re feeling excited and energized about all things ghostly, we’ll jump in and start writing the first book in the series. On the other hand, if we feel a little wrung out, and like the batteries need some time to recharge, we’ll switch gears and edit Sibling of Music Novel.

If there’s still time left in the year after that, we’ll do whichever task we skipped in the last step.

And in our copious free time, we’ll start to figure out the next big concept to fill the void when the Ghost Series is done.

That plan should keep us quite happily occupied all year, but it could all go out the window. Our agent is shopping two novels for us, and when a publisher bites there will probably be one or two things they’d like us to do. A little upheaval for a good cause? Sign us up!

Happy Winter Holiday of Your Choice

Happy Solstice! And Hanukkah! And Christmas! And Kwanzaa! And Boxing Day! And Yule! And Diwali! And Saturnalia! And Festivus! And every damn holiday this month! Why not celebrate them all? 2020 has been a slog, and now it’s finally limping to a close. We all deserve a bit of festivity, even if we have to celebrate alone. Be kind to yourselves and others. Stay home. Enjoy a special dish or drink. Read a good book, watch a good movie, listen to some good music. Look forward to next year’s holidays when things should be back to normal.

Hindsight is 2020

Every January we like to make a writing plan for the year, and when December rolls around we reread it and laugh. Except not this year. Somehow our 2020 prediction was pretty spot-on. We planned to quickly finish up the first draft of Sibling of Music Novel, and we did. We planned to spend the rest of the year editing our various other first drafts, and we did. We perhaps didn’t get quite as far as we expected, but we’re close. I guess the pandemic was good for something.

The other thing we hoped to do was get a good start on brainstorming our Ghost Series, and we even managed to do that despite a near total lack of road trips. Generally we use car time for lengthy conversations about our works-in-progress (it’s not like there’s much else to do), but this year lockdown kept us home. Lucky for us we have a couple of fuzzy roommates who insist on daily walks, and don’t care what we talk about while we’re doing it. We logged many many miles on the streets of our neighborhood, and have many many notes about ghosts and the humans who love them. Or is it fear?

As this year limps to a close we’ve started talking about our goals for next year. We’ll share our plans with you in January when they’re more solidified.

So many people struggled this year with loneliness and boredom. We’re so thankful that we have each other and this all-consuming pastime we can share. Our writing projects kept us sane and busy and fulfilled, and they brought us a lot of joy in a really shitty time. Things are finally looking promising for the world. The vaccine is coming. The new administration is coming. Just a few more months until the world starts to get back to normal. We might not mind too much being cooped up in our Writing Cave, but we’re really looking forward to that.

Looking Back at 2020 aka The Darkest Timeline

We here at SkelleyCo Amalgamated Fiction Enterprises are ready for 2020 to be over. So ready, in fact, that we’re starting our year-end review now, a couple of weeks early. Who’s with us?

Remember the Beforetimes? When there were things worth celebrating? We started 2020 on quite a high note. Renovations wrapped up on the Auxiliary Writing Cave, complete with hidden bookshelf. We wrapped up the first draft of Sibling of Music Novel. We were planning a trip to Romania and Hungary. Things were looking so rosy.

We spent February rereading our Music Series, and practicing the mystical art of placing chapter breaks and perfecting pacing.

In March we lamented our missed vacation (spoiler alert: still on hold), explored how many reminders readers need versus how many they appreciate, and debated the difference between villains and monsters. In 2020, Covid is the main monster. There are many, many villains.

By April we’d started actually editing the third Music Novel, the biggest bad boy who ever bad-boyed. First we made it bigger, then we made it smaller. It was a whole thing, and we got quite philosophical about the whole process.

May brought more editing, and a cryptically described disagreement between the two of us. So cryptic that we don’t actually recall what we were at loggerheads over. Which is a good sign for our partnership, both marriage-wise and coauthor-wise.

No summer vacation for us! In June we just took innumerable walks around the neighborhood with the dogs, using the time to dig into our next project. It has the incredibly creative working title “Ghost Series.” You’ll never guess what it’s about.

By July, we were done with both Son of Music Novel, and the minor touchups we wanted to give Sibling of Music Novel. And we watched Hamilton.

The rereading and editing of the Science Novels started in August. Kent’s voice got quite a workout, because when we wasn’t reading the trilogy aloud, we were still talking about the Ghost Series on our daily walks. We wrapped up the month discussing how much of a character’s backstory an author should know.

It seems we didn’t have a lot to say about editing the second Science Novel in September, because all of our posts are about how excited we are about brainstorming the Ghost Series. We did spare a few minutes to talk about the joys and wonders of a good Goose Wrench.

Fittingly, October was also a time to talk about our ghosts. We even had a spooky encounter on one of our nighttime walks. We updated our writing prompt generator, and dealt with a minor case of burnout.

November had Jen finishing her edits on Son of Science Novel and starting in on Grandson. Kent followed not too far behind. We had Quarantine Thanksgiving without our kids, and engaged in a little bit of self-promotion.

Which brings us up to the present day. Kent is getting his geek on, drawing a cutaway view of a major setting in Son of Science Novel (standard floor plans are for chumps!), while he lets Jen get a little further ahead in her edits of Grandson. He’ll soon have to put his shiny toys away and pick up his flensing tools.

Looking back over this past year, we were surprised to see nary an update to our chain story’s Dramatis Personae, so look for that sometime soonish.

2020 was certainly not the year we wanted it to be, but it wasn’t all bad. Even spending all day together every day since mid-February, Kent and Jen still actively enjoy each other’s company. May you be as lucky in your choice of spouse and/or writing partner.