Tagged: Son of Science Novel

Wordcount is Happening

r-avatarThings tend to repeat themselves, here in the writing cave. It’s natural for a cycle to emerge, given that we consciously follow a process that we’ve honed over several projects. But what’s interesting is how the unplanned things also seem cyclical. Falling down the research hole when we’re supposed to be writing? Check! Both Jen and Kent have resumed everyone’s favorite form of procrastination. (Okay, playing mindless games and messing around on Twitter are also popular choices here in the writing cave. But research has such a sheen of respectability. Ooooh, shiny!)

What are we researching? Well, that’s need-to-know. For now we’ll only classify our studies as diverse and rewarding. Hence, their effectiveness at slowing down the actual writing.

Despite such impediments, we are making progress. It’s not as fast as we planned, which come to think of it, it never is. And even though it’s absolutely, positively, not a competition, Jen does have a bit of an edge if you score things by words, although Kent is ahead by one if you count scenes. We might require adjudication to settle that one. Probably smarter to just keep writing.

Another source of distraction is the launch of Miss Brandymoon’s Device. (We might have mentioned, but in case it slipped our minds — it’s available free from our site as well as at Amazon, iTunes, Kobo, and Barnes & Noble.) We got the first hard-copy proof yesterday and we can’t stop fondling it. My, oh my, that’s a sexy book.

Spooling Up the Fiction Engines

r-avatarWe may have mentioned our novel launch once or twice in the past few weeks, but in case you missed it: Miss Brandymoon’s Device is available! For FREE! Right NOW! Go download it, we’ll wait.

You’re back? Great. Before you go immerse yourself in our book and forget about the outside world, we’ll give you a quick update on our activities in the writing cave.

Son of Science Novel is next on our agenda. We thought we were ready to write it. It’s been discussed to death, outlined thoroughly, and broken down into scenes (at least the first act has been). We know the characters and settings pretty well, have reference photos for inspiration. From the outside we look overprepared.

But from the inside we’re still finding gaps in our knowledge. The layout of the not-so-abandoned-after-all cold war doom factory will be important not just in this early scene, but in blocking later scenes as well. We need a floor plan now so we don’t write in errors that we’ll need to fix during revisions. Kent fires up Illustrator and puts his brain in Dungeon Master mode!

Do we really need to write a whole scene wherein Boss tells Underling to recruit Heroine, when we can simply show the recruitment? Will readers question Underling’s motivations? Is that necessarily a bad thing? Jen puts on her Problem-Solving hat!

Some of this might look like procrastination, what with the multiple visits to Pinterest and the innocent google searches that turn into bottomless research clickholes, but it’s all valuable. It’s all immersing us in the story world, one we haven’t visited for a while. The better prepared we are, the less we’ll need to change later.

And as everyone knows, it’s dangerous to go alone. For us, having a writing partner makes the journey less perilous.

mbd-cover-cropRead a description of Miss Brandymoon’s Device

Read a sample

Get it free from Amazon

Get it free on iTunes

Get it free at Barnes & Noble

Get it free at Kobo

So Now It’s Fall Already

r-avatarProgress report time: we’re making progress!

Jen has completed the first nine stubs for Son of Science Novel. Each stub represents a scene, which for us tends to run in the range of three to six pages, although many times they end up longer. It’s not exactly rare for a scene to get cut after we’ve written it, but our process does help us minimize such wasted effort. If it gets stubbed, it’s a pretty sure bet it’ll be in the book.

Kent has completed the first draft of the new short story. He hadn’t done one in quite a while, and it felt damn good. In this case it was also fun to reconnect with characters we haven’t written lately. So now that draft needs to rest for a bit and then we’ll do revisions.

And, we have been devoting a lot of time over the past few weeks to the business side. This is a trend we expect to continue for the foreseeable future. It’s exciting and intimidating at the same time. One thing that’s become clear to us is that the biggest appeal of traditional publishing is the idea of having other people do all this stuff. (Which isn’t necessarily an accurate idea, but it sure is appealing!)

Now, back into it. More worlds to conquer! And winter is, is… due to arrive… just around the corner, er, bound to show up at some point.

Gentlemen, Start Your Engines

r-avatarWe mentioned recently that there hasn’t been much writing going on in the writing cave of late, and we’re happy to announce that that’s about to change.

Yes, we’re still wading around in the marketing bayou, wielding our machetes, collecting the far-flung pieces of the treasure map that will assure us publishing success, while doing our best to avoid quagmires, gators, and other distractions. But we are still attempting to plug away at the fiction at the same time.

A few days ago Jen finished up the detailed outlines and timelines for the next two novels we’re going to tackle. They’re both sequels to the Science Novel, so it makes sense to work them in tandem. This was the first time we’ve worked on such a grand scale, and it took a lot longer than expected to get them both fleshed out. We needed to upgrade our crystal ball to get better resolution for such far-future details.

Then last night Jen composed the first stub for Novel #7, aka Son of Science Novel. (In our writing cave, Stubs are what we call detailed scene descriptions, the step between outline and actual prose.) We like to have at least half a dozen stubs lined up before we start writing so that we’re both clear on how our individual parts will fit into the finished work. We’re not quite ready to start yet. But we’re so close! The excitement is building, and we’re hopeful that we’ll actually remember how to do it. To limber up, Kent is working on a short story.

Where It All Came From

r-avatarBackstory is a fraught topic for writers. Without getting into the debate about how much, if any, belongs in your finished product, we can say definitively that it serves a crucial purpose in our writing process.

The outline for Son of Science Novel is complete. This sequel introduces many new cast members, whose lives have been complicated since well before they intersected with our story. There’s a lot to know about them, so we are formally outlining the backstory, giving it the same kind of development attention as the “proper” narrative. Not only is it beneficial in getting to know these new people, but it also serves a debugging function, keeping us from basing story events on flawed reasoning. It’s alarmingly easy to overlook gaps and contradictions when you view things from 30,000 feet. A lower-altitude pass is essential.

Another place where backstory has been tremendously important is in the music novel. The protagonist’s outlook on life, and the experiences that shaped it, can’t be sketched in. A sketch would rely on the reader’s preconceptions to fill it in, and that would make it misleading. None of our readers has said, “I don’t need to know this.” Which raises the philosophical question of whether it really constitutes backstory. But to us, there’s no question at all. It’s pertinent, interesting, and unexpected, which places it within the scope of the narrative regardless of its chronology.

Working with a partner gives you a great resource for gut-checking things like how much backstory is needed. And, someone to listen when you do your thinking out loud, to catch the inconsistencies before they undermine your plot structure.

Time Flies Like An Arrow

r-avatarWoof.

Everything. Takes. Forever.

Maybe we have unrealistic expectations. Okay, that’s probably it. After all, we’ve done this several times, so of course it’ll just go faster and smoother each time from now on, right?

Jen continues to hammer away at the outlining for Son of Science Novel. It’s taking (spoiler alert!) longer than she budgeted. But it really is coming together, and now she’s nearly done incorporating all the mysterious scratches left by mysterious chickens in our various steno pads, from back when we were brainstorming the story. The process might be going faster, except she finds herself distracted by the art project happening on Kent’s side of the writing cave.

Kent continues to refine the illustration for the cover of our trilogy’s first book. It’s getting very close too, in fact, but there’s always one more tweak, one more font to try, one more configuration of the title and other text in relation to the artwork… Kent claims that he’d be making better time if not for the constant distraction of the outline being crafted on the other side of the writing cave. (Jen rolls her eyes.)

It’s worth giving your projects the time they need in order to create work that you’re proud of. With a partner sharing the load, you’ll get through the slow patches in half the time and have energy left for the fun stuff.

Places, Everyone!

r-avatarOur first three novels are set in the same made-up town, which is strongly inspired by a real place. The music novel and (son-of) are set in New York City, which despite what you may have heard is an actual, real place. For the science novel and its successors we have once again invented cities, and the locations that inhabit them.

The science novel’s locale is practically part of the cast. We never considered setting the story in a known city. When it came time to plan its sequels, though, we worked very hard at tracking down a real place that could work. Neither of us can quite say why. Given the logistical constraints of the plot, as well as some crucial geographic and climate considerations, it was proving all but impossible to choose an existing location. Plus, we wanted it to have a cool name.

The desire to name the place was probably the signal that snapped us out of it. So, today we concocted a deliciously Russian appellation for the place where we’ll be making more characters’ lives miserable, and decided where to put its map pin. In this case, “we” means Jen of course, because names are her superpower. Now that we’ve chosen this route, it’s dawned on us how strange it would have been to have books in a series follow different theories of setting and world-building.

As an added bonus, creating a location from scratch allows Kent to stretch his D&D muscles to draw up maps.

Cave of Rainbows

r-avatarAs much as we tout the benefits of our rainbow-based approach to story development, we must also admit that the system has its drawbacks. Laying the whole thing out takes up a hallway, or most of a room. Laying out multiple rainbows concurrently (backstory + sequel + another sequel) takes up our entire auxiliary writing cave.

Studying the whole thing is a bit laborious, too. It can involve some stooping, and playing a sort of anti-Twister to keep from ruining the layout with one’s feet. (The other night, Kent had to sneeze while standing astride the whole construct. That could have been disastrous!)

Maybe we kid ourselves, but we feel like the inconveniences are all offset by the system’s merits. In fact, the strengths and weaknesses are all due to the same thing — the physical nature of the cards, which allows them to be shifted around and makes their representation of the story more tangible and spatial. There are software tools that do similar things, some of which we also make use of. Scrivener’s cork board is nice, and Jen is an expert with Aeon Timeline.

But sometimes you need to crawl around in your dusty auxiliary writing cave, and sneeze a few times, to really internalize a project.

Spinning Plates

r-avatarRune Skelley likes to focus on just one novel at a time. Having to keep track of multiple story worlds simultaneously makes it harder to do any of them justice. Harder, but hopefully not impossible, because we’re bending our own rule right now.

Novel #1 (Miss Brandymoon’s Device) is getting a final round of line edits, while we’re also doing a read-through on the Science Novel in preparation for outlining the sequels. We’ve already rainbowed them, and now we need to really get that world under our nails to expand those rainbows into full-fledged outlines. The line editing is happening mostly by day, with evenings available for the read-through. It seems to be working pretty well, so far.

In addition to all of that, we’re getting feedback from our beta readers on Son of Music Novel. That means we have to keep all three of our story worlds in our heads, to some extent.

Oh, and we’re doing cover mockups for our first trilogy. Shifting from verbal creative mode to pictorial creative mode is refreshing now and then, although there’s a lot of creative verbiage flying around the writing cave while we converge on a common vision for these covers.

Sometimes, practical demands force you to spread yourself a little thin. Having a writing partner means you can keep more plates spinning.

Scouting the Locations

r-avatarWe have a habit we’re trying to break, wherein we do online research to discover exciting locations in which to set our novels, write a rough draft of said novel, and only then visit the location. This leads to edits to punch up the atmospheric details, and occasionally reblock scenes.

Last year we were a little smarter and took our field trip before we finished the first draft. We didn’t need to make any changes, and were able incorporate some fun details to give the work more verisimilitude.

This year we were brilliant! We made our pilgrimage before we set pen to paper, or fingers to keyboard.

Son of Music Novel is in the hands of beta readers, and we’re revving up the engines to start composing both Son and Grandson of Science Novel. The location we visited last week is one we’ve been to before — it was our inspiration for the main setting of Science Novel — and we wanted to refresh our memories, get the feel for it again so we can do it justice in the sequels.

Sadly we won’t be able to visit all of our inspiration sites. One no longer exists in the real world, and some of the others are in Russia. We have, in fact, been to Russia, but it’s been a few years, and we stuck to the touristy stuff when we were there. No secret labs or long-forgotten cold war bunkers on our itinerary, alas. But if we ever decide to set a novel in St Petersburg’s Hermitage or the Peterhof Palace, we have a ton of pictures to use for reference.