No, After *You*

month ago we were lamenting how intimidating it’s been for us to reenter composition mode. “Oh, woe,” we cried. “It’s been so long since we wrote actual prose!” And “It’s been literal years since we began a new story world, how ever shall we remember how to do it?”

We can be quite melodramatic when it suits us.

In the weeks since that declaration, we came up with myriad excuses for not actually setting pen to paper or fingers to keyboard. It was, frankly, getting ridiculous. During one of our daily forest snow strolls with the pooches, we finally diagnosed ourselves. We were each waiting for the other one to go first, each holding the door open, hoping the other half of the writing team would charge through into the unknown.

Whoever goes first makes a bunch of creative decisions that impact the rest of the novel. They set the tone with language use. They set the pace of the prose. They give us the first glimpse inside a new character’s head and heart. It’s a lot of responsibility!

Usually Kent will jump in and write the earliest scenes while Jen wraps up the last few stubs of the first batch. It’s a process that’s worked well for us, but at least the last 4 novels we wrote were all set in existing story worlds. There are a lot fewer unknowns in an existing story world. Kent wasn’t sure Jen wanted him to plunge in this time. Perhaps she wanted to be the style master this time? Please? No. Being the one to write 100% of the stubs (maybe 99.5%), Jen feels like she already has enough influence over how the story is told.

And so, with great fanfare, Kent slipped into his speedo and took the plunge! This very week saw the minting of the inaugural words, sentences, and paragraphs of the Rune Skelley Ghost Quadrilogy! And what words (and sentences and paragraphs) they are!

A good writing partnership is one where both partners are happy to either lead or follow.

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