Our regular readers know by now that we’re obsessive plotters. Our process includes multiple stages of outlining in an assortment of often colorful formats. Saves a lot of wear and tear on the seats of our pants.
And yet. Sometimes plot-related issues try to slip past us. Most commonly, for us, it’s some form of magical knowledge on the part of a character: the author knows that Chadwick Q Badguy, esq, didn’t commit the kidnapping, thus Detective Main C Haracter never thinks to ask for his alibi.
A form of this cropped up in our WIP (Grandson of Science Novel). Or, at least Jen thought so for a few minutes. Without getting spoilery about it, there’s an event that depends on there being no one home. No one was, of course, but how would the perpetrators know? The worry was that they seemed to take it for granted, as if the author had tipped them off.
Thinking it through in light of all the details we’re withholding from you, Jen determined that the nefarious deeds made sense as we had them after all. But she brought the matter up with Kent all the same. Because that’s what you do when you have a writing partner: you share your concerns. And your partner sets you straight if necessary, making the work stronger. In this case, Kent confirmed his partner’s reasoning. But it still makes the work stronger, because it deepens both of our understanding of the story.
There’s no substitute for talking story issues through with a partner.