Music To My Ears

r-avatarWe’ve been deep in our music novel for the past few months, and just last week we reached the conclusion of Novel #5 in our critique group. This led to a lively discussion about endings in general, and the parallels between fiction and music composition.

There are many different approaches to endings, and different kinds of readers prefer different ending styles. What they all have in common is that readers seek a feeling of completion, that a “good” ending must be “satisfying” — whatever that means to each individual.

In music, this feeling of completeness is dependent on resolution. If the song changed key somewhere along the way, it will feel unresolved until it returns to its home key. The repeat structure, the lyrics, all kinds of elements of the music can contribute to this sense of resolution, of things coming together. This isn’t to imply that the only valid endings are those with complete resolution. Far from it. Some songs end on the up-beat and leave the listener ringing with unresolved energy. There are false endings, and slow fade-outs, and many other conventions.

Just like a good story ending, these various ways of handling resolution play with our instinctive, intuitive drive to have things tied up neatly. Sometimes the power of the ending comes from the elegance with which this denouement is achieved, while in other cases the conclusion’s ambiguity is what makes it stick with us, like the song that bounds up for its final beat, and never comes back down.

Tricky endings are definitely a place where it’s necessary to know the rules before you try to break them. Done poorly, they just feel flat. Like the author just stopped typing and called it “the end” without addressing questions raised along the journey. An ambiguous ending with no cathartic climax (aka, the European ending) isn’t right for every story, but then again not every tale calls for a big showdown. Just like not every song wants a gradual diminuendo, and not every song wants to end with a cymbal crash.

Look at the threads that make up your story, at the choices that haven’t yet borne fruit, and construct an ending based on satisfying your readers. Or, leave just the right questions ringing in their minds.

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