Better Than Talking To Yourself

r-avatarFor once the timing worked out really well. Our critique group gave us their final feedback on Novel #5 (the Science Novel) just a few weeks ago, shortly before we finished nailing down the edits for the Music Novel. That means that we’re going back through their comments while everything is still fresh. It’s relatively easy to recall the conversations we had during our meetings as they lavished praise (and, admittedly, the occasional not-so-glowing remark) and we took notes. When we encountered a point we had a question about, the work was still clear enough in our group’s minds that they were able to clarify their original idea.

Before we looked at our critiquers’ comments, we read through the manuscript for ourselves, looking at it with fresh eyes. We were quite happy with what we saw. We talked along the way, and made some notes about plot points we want to strengthen and characterizations we want to clarify. Once our own thoughts were down on paper (or, in pixels), we spent a week reading through all of the notes we took during our critique group meetings, and reading all of the comments they wrote in the margins of their comment copies. We chose to disregard the diagram one member drew of the intersection where she had a showdown with a street sweeper, and likewise the lessons on how to write our characters’ names in Korean. Interesting as those were, they are irrelevant to the Science Novel.

The process of looking at a novel’s worth of critique all at once can be quite overwhelming, and it’s an excellent example of why having a writing partner can be a good thing. During group meetings, we all try very hard not to argue or answer back to the critiquer. Unless you’re planning the world’s most complicated and tedious book tour, the work needs to stand on its own. With a coauthor, you have someone to talk through each point with outside of that setting.

Some of it is fun, like when a reader asks a question that you know is answered in the next chapter, or when all of the readers get the “Hell yeah!” moment just like you intended. And some of it is not so fun, like when a reader stumbles over something you were sure you made quite clear. With a collaborator, you’re not stuck just talking to yourself. Your partner is there to help you make sense of the comments and decide which items are in legitimate need of extra work, and which ones can be chalked up to the readers only looking at one chapter a week.

 

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